Andrew Huggett Ottawa Manotick Citizen
1980
January - Music studies continue in London.
May - Sell London, England home and purchase Toronto home.
June/July - Move everything from London to Aylmer, Quebec.
August - Various music events and conferences. Mount Orford, Quebec; Dalton, Ohio.
October - First performances of the year, Port Hope, 12 school shows in Lennox/Addington. Quebec City.
November - Move everything to the new Toronto home.
December - Fredricton, Woodstock, St. Andrews, Wolfville, Halifax, Lennoxville, Cornwall, Waterloo, Barrie, Blyth, Sarnia, London, and Oshawa.
CONCERTS & EVENTS
LISTEN WHILE YOU BROWSE
FANTASIA
John Dowland
John Dowland (1563 – 1626) was an English composer, lutenist, and singer. His compositions are some of the finest examples of late Renaissance music and are featured on the Huggett's 1979 My Lute Awake album. A devoted catholic, Dowland performed several espionage assignments for Sir Robert Cecil in France and Denmark. Sir Robert offered him a large sum of money from the Pope and safe passage for his wife and children to come to him from England. Still, in the end, Dowland declined to have anything further to do with Sir Robert's plans and returned to England and begged pardon from the Queen.
Andrew - Lute
PREPARING FOR THE FUTURE
Throughout the Huggett Family years, all the children kept up their schooling through correspondence courses, and in 1980, Jennifer, 22, Ian, 20, and Fiona, 18, finished high school. Fiona's last year in a classroom was grade three. She graduates from grade 13 with a 90% average. Andrew has been teaching Baroque performance at Ottawa University and working in the recording studio for several years when he receives his High School Equivalency diploma from the Ontario Ministry of Education.
As young adults, Jennifer and Fiona are thinking about a future in professional music outside the Huggett Family. Their lessons in London and Canada focus on their principal instruments: Fiona studies Baroque violin with June Baines and Cat Mackintosh in London. Jennifer continues to pursue the modern cello with Jenny Ward-Clark in London and Don Whitten in Canada. Ian studies the viola with Roger Best in London and Steven Dan in Canada; however, Ian is also developing a strong interest in environmental issues and is contemplating a change in direction.
Despite a last-minute application, Jennifer wins acceptance at the National Centre for Orchestral Studies at Goldsmiths College in London, England. Applicants audition worldwide for a place at this prestigious finishing school. In the Huggett Family, Jennifer dances, sings and plays half a dozen other instruments, all to a very high standard. Over the years, her available time to practice the cello has been limited. It is a testament to her extraordinary abilities that she can hold her own among applicants who have dedicated their entire musical lives solely to the cello. Now she gets valuable orchestral experience under the baton of Lorin Maazel, Eliot Gardiner, and Gennadi Rozhdestvensky.
Fiona with June Baines. For 30 years after the Huggett Family's professional demise, Fiona played baroque violin in many of London's most successful early music ensembles, including the English Concert, The Jaye Consort, The English Fantasy, and in Paris, Les Musiciens du Louvre.
Jennifer's high school certificate. Despite the age differences, Ian, Jennifer, and Fiona all graduate high school within a year of each other.
Jennifer, seen here recording Nielsen's 4th symphony with conductor Rozhdestvensky at BBC studios in London. The following week she and the orchestra recorded Richard Strauss' Don Juan with Lorin Maazel conducting.
SPRING & SUMMER
The decision is made to move the family base to Toronto to allow closer access to the area's concert and management opportunities and to allow the girls access to the Toronto Musicians Union professional development incentives, available only to its local members.
In May, Margaret and Leslie fly to Canada and buy a home near a small lake on the Oak Ridge Moraine. It is a large A-frame, recently featured in Canadian Homes Magazine, quickly christened the "A" House. The Family will take possession in November. Margaret's brother Dave and his family buy the London home. Twenty-two tea chests are packed with music, books, and research material and sent by sea back to Canada along with a harpsichord sent by air.
Jennifer stays in London until the end of July, while in June, the rest of the Huggetts fly back to Canada and one last summer at the Aylmer cottage.
There are no concerts this summer. In August, Fiona, Jennifer, and Andrew attend a two-week early music seminar in Mount Orford, Quebec. Among those present is the future order of Canada recipient Tafelmusik's concertmaster Jean Lamon and world-renowned soprano Dame Emma Kirkby.
A separate jazz program is also in progress. Andrew recounts, "The early music program ran parallel with a jazz program that really appealed to me. I had had 11 years of early music under my belt and welcomed the opportunity to learn about something different, so I skipped all the early music events and went to the jazz ones instead."
Leslie and Margaret attend the viol conclave at Wright State University in Dalton, Ohio, which attracts some of America's finest viol players. Ian spends the summer working with ornithologist Monty Brigham, recording Canadian bird songs.
Ornithologist Monty Brigham and Ian recording bird songs. The final recordings are archived with the Macauley Library at Cornell University.
The "A" House - close to Toronto but still very much in the country. The Huggetts moved to the Toronto area to allow the girls access to the Toronto Musicians Union professional development incentives, available only to local members.
Margaret and Leslie, Toshinari Ohashi, and Leo Traynor at the international viol conclave at Wright State University in Dalton, Ohio.
FALL CONCERTS
In September, the entire Family gathered at the Aylmer cottage to prepare for the upcoming fall tour.
Andrew is now more involved in the business side of things. He flies to Regina, Vancouver, and Toronto to attend government-sponsored conferences called "Contacts," which allow artist's agents and community concert organizers to meet face-to-face.
The Huggetts performed a return concert by special request in Port Hope en route to unique series of twelve youth concerts for Lennox and Addington Cultural Events. These are sponsored by egg farmer turned impresario Hank Rennick. Over many years he and his wife have introduced thousands of local young people to classical music by organizing local school concerts by groups like the Huggett Family. Jennifer recounts, "We stayed in a newly-built cottage on Hank Rennicks Farm on Varty lake near Kingston. It's surrounded by beautiful open country. The Autumn is at its most glorious, and a beaver swims past our front door every morning!. We give morning and afternoon concerts, and Mrs. Rennick prepares a gourmet supper for us, which we enjoy with her family, up at the farmhouse at the end of each day. It's a truly delightful week."
At the end of September, the Huggetts fly to Quebec City, where they perform another return engagement, "Queen Elizabeth I And Her Suitors", in French.
A much appreciated and gracious letter to the Huggetts from school teacher Debby Lumsden.
School concerts were an important part of any concert tour. Usually, they were an adjunct to an evening concert in the same community, but thanks to Hank and Susie Rennick, the children in Lennox Addington had access to the Huggetts for an entire week.
THE MOVE
Margaret, "It's October, and when we're not honouring our musical commitments, we're packing up for the move to the new Toronto home, which closes the next month. There is furniture from our old Ottawa home that has been in storage for ten years - instruments, music, and reference books. All our accumulated Canadian belongings and the harpsichord that has arrived by air from England. It's a formidable task. Leslie drives the 20-footer truck, pulling a large trailer behind, and I will have a second trailer hitched to the car. Andrew comes to the cottage at daybreak and helps pack everything safely into the available space. All goes well on the drive to Toronto, though backing up the trailers on the hill upon reaching our destination is a challenge. Next week the tea chests will arrive by sea and rail."
ONTARIO CHRISTMAS TOUR
December arrives, and the Huggetts begin their Christmas tour arranged by Hart Murdock Management and Jeunesse Musicales. The first date is in Fredricton, but on leaving day, when the family wakes to catch an early flight, they are snowed in at the top of the steep hill on which their new home sits. Their new neighbor, farmer George Johnson, graciously comes to the rescue and plows them out.
Margaret: "Having just made our flight, we land and play our first show in Fredericton, which we've never visited before. We find it a very welcoming town. Then we move on to Woodstock. The venue is a large wooden Heritage building with beautiful acoustics. The CBC uses it for live summer broadcasts, but it's December, it's cold, and there are drops of rain seeping through here and there. However, we ignore the cold and deliver a heartfelt Christmas show, noting that the audience has kept their coats on!
From Woodstock, it's only a short drive to St. Andrews, a stone's throw from the American Border. Throughout our travels, we have played in so many border towns. The following day we are up betimes, as renaissance diarist Samual Pepys would say, and drive to Saint John to take the ferry across the Bay of Fundy to Digby, Nova Scotia. The tides in this area are the strongest in the world, which is an extraordinary thought. Once across, we continue driving until, after dark, we finally reach Acadia University in Wolfville.
The next day it's on to Dalhousie University in Halifax, where we are met by Janet Covington, a girl who was in my Carl Orff music class, along with Andrew, almost 20 years ago. She is now a cellist in the CBC Atlantic Symphony Orchestra. This town is home to several viol players, who turn out en-mass, making for a particularly empathetic audience. We fly to Montreal and, from there, drive to Lennoxvile for a return concert at Bishop's University.
From here, it's into Ontario: St. Lawrence College in Cornwall, the University of Waterloo, Barrie Collegiate (home to the famous and prize-winning band of the same name), Blythe, Sarnia, and finally, London, where they perform in the Saint Peter's Basilica. After playing William Byrd's The Leaves Be Green, a voice rings out from the audience, "Fantastic!" Such overt responses are unusual at an early music concert!
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On this tour, there is a moment in every concert where we all sit silently with our eyes fixed on Andrew while he plays Dowland's famous Fantasia for Lute. We feel at one with the audience, whom we only see dimly over the footlights. We all breathe with him as he reaches the end of the slow introduction before the lively galliard and sprint to the end, willing him to get the tempo just right, which he always does, of course."